Unheard AmritsarBag (0)

Before the
first note.

Wood is shaped. Skin is stretched. Strings find their tension. Then someone puts a hand to the instrument, and the story becomes sound.

Find your rabab Learn more about Rabab
A musician’s hands on the inlaid neck of a rubab
A rubab in the hands of a musician. Farah, Afghanistan, 2010. Image credits

Choose the one you’ll play.

Three models from Unheard Amritsar.
Explore the photos and UA prices. Ordering opens soon.

Detail view of the Afghan-style rabab
The decorated Afghan-style model: wood, skin and inlay.

A voice starts
with the material.

The body begins as wood. In Ustad Esa’s Kabul workshop, mulberry is carved, the head is attached, and the pegs and bridge are worked with smaller tools. A goatskin membrane and mother-of-pearl inlay complete the instrument before tuning.

That sequence brings the craft into focus. The wood you hold, the skin beneath the strings and the maker’s decisions all belong to the instrument’s story.

Step inside the workshop
Historical painting of Bhai Mardana holding a rabab beside Guru Nanak
Guru Nanak and Bhai Mardana with a rabab. Painting, circa 1740.

An instrument
beside a voice.

The rabab has a place in Sikh kirtan through Bhai Mardana’s accompaniment to Guru Nanak. In the Janamsakhi stories, the search for an instrument also leads to Firanda, a carpenter and musician.

The Punjabi/Sikh rabab and Afghan rubab carry distinct musical contexts. The Kashmir-made model belongs to the same plucked family played in Afghanistan. Their names connect them; their forms and traditions give each its own place.

Read the story of Firanda
Detail of the Punjabi Sikh rabab
A closer look at the Punjabi/Sikh model.

The hands behind
the instrument.

A luthier makes and repairs string instruments. The Anād Foundation traces a craft relationship from Gyani Harbhajan Singh Mistri to Bhai Baldeep Singh, bringing making, playing and teaching into the same story.

When an instrument becomes a recording, the people behind it should remain visible. PMRS connects that question to contributor recognition, documentation and music-rights education.

Continue the story with PMRS
Sources and image credits

Craft: Turquoise Mountain. Sikh narrative: Asian Art Museum. Luthiery: Anād Foundation.

Product photographs: Raj Musicals and Bhargavas, used with permission. Rights remain with the respective owners. Opening photograph: Rylan K. Albright / U.S. Air Force, CC BY 2.0. Historical painting: unknown artist, via Wikimedia Commons, public domain. Images resized and converted to WebP.